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18th Century Burmese Innwa Marble Buddha Statue

18th Century Burmese Innwa Marble Buddha Statue

AGE: – 18th Century
Height:-54cm
Width: -35cm
Depth: -18cm
Weight: 30.3 kg.
#846 – PRICE:  CONTACT

Ava period 18th Century Burmese Innwa Marble Buddha Statue decorated with thayo lacquer scroll decoration, green coloured inlaid glass mosaics outline the lapel and edges of the robe, with the hand gesture in Bhumisparsa Mudra with the right hand touching the earth, the mudra associated with the moment the Buddha resisted the temptations and assault by Mara and his army of soldiers in their attempt to prevent him from his path.

This Innwa marble Buddha statue shows a strong broad chest and neck, broad nose with highly arched eyebrows, large elongated ears with painted eyes cast downwards, and seated on a single lotus pedestal on top of a plain base.

About Burmese Innwa Ava Style Buddha Statues

18th Century Burmese Innwa Marble Buddha Statue
18th Century Burmese Innwa Marble Buddha Statue
Face view Burmese Marble Innwa Buddha Statue
Hand gesture Burmese Innwa Marble Buddha Statue
Side view Burmese Marble Innwa Buddha Statue
Back view Burmese Innwa Marble Buddha Statue

The Artistic Legacy of Burmese Innwa Style Buddha Statues

The Innwa style of Buddha statues, originating from the historical period when Innwa (also known as Ava) served as the imperial capital of Burma, represents a significant chapter in the evolution of Buddhist art in Southeast Asia. The Innwa period, spanning from the 14th to the 19th century, was a time of artistic flourishing and cultural exchange, which is vividly reflected in the Buddha statues of that era.

These statues are renowned for their distinctive features: prominent nose ridges, ornate eyebrows, and elaborate robes that signify the rich tapestry of Burmese craftsmanship. The Innwa style evolved after the decline of the Pagan kingdom, and the art of this period was heavily influenced by the Tai people, who brought with them a blend of Indian, Chinese, and Tibetan artistic influences.

One of the most striking aspects of the Innwa style is the Jambhupati Buddha, a depiction of the Buddha in royal attire. The Innwa style also showcases a variety of usnisha (cranial protuberance) and finial designs, with some statues featuring a small bulbous usnisha with a long finial, while others display a large rounded usnisha with a short finial. The ears are usually elongated, with long earlobes that stand out, adding to the serene and contemplative expression of the Buddha.

The use of materials such as wood, marble, and bronze, along with the application of thayo lacquer for decorative purposes, highlights the versatility and innovation of Burmese artisans. The statues are often seated or standing on lotus pedestals, symbolizing purity and enlightenment.

The Innwa style’s influence extended beyond its period, with artistic decoration becoming more adventurous up until the Mandalay period (1853 – 1885) and post-Mandalay period (1885 – 1948). The tradition of crafting Buddha statues in royal attire with crowns and ornate details continued, reflecting the enduring legacy of the Innwa style in Burmese Buddhist art.

Today, these statues not only serve as objects of veneration but also as a testament to the rich cultural heritage of Burma. They continue to inspire and captivate art enthusiasts and collectors around the world, offering a glimpse into the spiritual and artistic history of a bygone era.

For those interested in exploring the beauty and intricacy of Burmese Innwa style Buddha statues, there are collections available in various parts of the world, including Brisbane, Australia, where one can find unique and rare pieces that embody the essence of this remarkable artistic tradition.

The Innwa style Buddha statues are a window into the past, inviting us to reflect on the spiritual and artistic journey of a civilization that has left an indelible mark on the world of Buddhist art. As we admire these statues, we are reminded of the timeless nature of beauty and the enduring power of faith expressed through art.

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